Flat out beautiful

The Taos Plateau from the west rim of the Rio Grande Gorge just above the John Dunn Bridge

Between Victor "Cuba" Hernandez and the Taos Plateau you've endured a plague of arid expanses on these pages. The Plateau is a sweep of land that exemplifies William deBuys' description of dry places making the lamentable transition from grasslands to desert scrub. It's also part of the new Rio Grande del Norte National Monument, the lesser part to almost everybody but me.

And speaking of the immortal Cuba, I'm excited to report that I will helping him herd 500 sheep to Colorado within the week. Patron Alfonzo Abeyta's grazing lease ends on January 31 and the borregos must head north or be left to wander the plateau for eternity.

And now I can say "more to come" with absolute certainty. Applause line.

An abandoned corral east of Pinahetosa Peaks

                  

Old homestead near Cerro Chilla

"Monument" will be the subject of a two person show in May at Wilder Nightingale Fine Art in Taos I will share the spotlight with the talented painter Peggy Immel. Be there or be square in the parlance of the sixties.

Working Hands

This photograph dates back more than forty years. It's from Old Sturbridge Village in western Massachusetts on one of our frequent visits to the charming recreation of a New England farm town in the 1820s. It’s a place our family loved when the children were young and when we were first in the thrall of the four seasons, the patina and the history of early America. Still are.

Old Sturbridge depicts life in rural Massachusetts of that early time. Interpreters play the roles of blacksmiths, basket makers, coopers and the like. It was a magical place to celebrate Thanksgiving in the old tavern, something we did several times when we lived in Wellesley.

The elder shown here deftly wields his knife to forge a whistle out of a pea pod. His weathered hands pay homage to rigorous life on the frontier. The brim of his straw hat shields hands from the high November sun.

It's a scan of a negative from my first DSLR, the seminal Pentax Spotmatic, and though I've lost some shadow detail, the image carries me back to the richness of New England and deep feelings that will never fade.

I can't hear you

Starting with Monday's post (This just in from Cuba) readers have been unable to leave their comments. I can comment but you can't for reasons I cannot fathom. My settings are as "open" as they can be yet reader comments are lost in space.

I'm asking for your comments to this post so I can assess whether the last post was an anomaly or is a continuing problem.

Thanks for your help. 

This just in from Cuba

The post about Sr. Hernandez two weeks ago sparked the most attention in while. That’s mighty gratifying and it sparks my interest in digging deeper into the lore and legend of sheep ranching in these parts. More will be revealed.

These shots are a combination of ones taken in January 2011 and from my recent visit with Victor. There’s a paucity of copy in this one probably because I have paucity of ideas for same. The older ones in color give a better sense of the breadth of my beloved Taos Plateau with the Sangre de Cristos reaching skyward in the distance. They also do a better job of connecting Victor and his perros to the sheep grazing on the llano.

Southside Johnnie

JT in Santa Fe

This taut and sinewy dude claimed he was a Chicago street tough in an earlier life. According to JT only a zencentric martial arts discipline and some gaudy hip-hop dance moves saved him from the Cook County jail with the crib next to a gangbanger named Tyreese.

While I’m not a big nose ring fan, he carries off nostril décor better than most.